Friday, August 8, 2008

Kevin Carter


South African photojournalist

 Joao Silva, who accompanied Carter to Sudan, g

ave a different version of events in an interview wit

h Japanese journalist and writer Akio Fujiwara th

at was published in Fujiwara's book The Boy w

ho Became a

 Postcard (Ehagakini Sareta Shōnen).

According to Silva, they (Carter and Silva) went to Sudan with the United Nations aboard Operation Lifeline Sudan and landed in Southern Sudan on March 11, 1993. The UN told them that they would take off again in 30 minutes (the time necessary to distribute food), so they ran around looking to take shots. The UN started to distribute corn and the women of the village came out of their wooden huts to meet the plane. Silva went looking for guerrilla fighters, while Carter strayed no more than a few dozen feet from the plane.

Again according to Silva, Carter was quite shocked as it was the first time that he had seen a famine situation and so he took many shots of the children suffering from famine. Silva also started to take photos of children on the ground as if crying, which were not published. The parents of the children were busy taking food from the plane so they had left their children only briefly while they collected the food. This was the situation for the girl in the photo taken by Carter. "God was smiling on Kevin." A vulture landed behind the girl. To get the two in focus, Carter approached the scene very slowly so as not to scare the vulture away and took a photo from approximately 10 metres. He took a few more photos and then the vulture flew off.

Silva stated that he also took similar photos, but didn't win the Pulitzer Prize. "That's just the way things go."

As told to Praveen Toppo


Photographing people with Hari

The important points in any fashion or glamour photograph are the model, the make-up, the styling and of course the photographer.

Every model has his/her pluses and minuses. So you need to highlight what is good and play down what is not. Having said that, a lot depends on what you have on the other side of the camera. Obviously you will get better pictures of an Aishwarya Rai Bachchan or a Malika Arora than someone else… It also helps if the model is experienced because then they know what looks good and what doesn’t. You always wonder ‘how’ when you are studying photography or just starting out when you see some killer photos and compare your work… you get depressed.

The secret to good glamour/fashion work is having a great team to work with. There are very few good artistes and hair experts who give life in models’ appearance. If there is no perfect face, the make-up and hair are very crucial. And in case these guys are not available, photographer will never continuous with his/her work.

Another aspect of a better photography today, is styling. The skills of your make-up artiste, hair expert and lighting skills of the photographer are put together by the stylist. He is a sort of a visualiser. Putting the three together and making them look harmonious is a tough thing and the stylish has to do this. Over and above this, he also has to take care of the small things like the accessories and clothes that are to be worn, since these will dictate the other factors. If you have an OK face, make up and hair can save the day. If your make up and hair go awry, your lighting could save the day…but only to a certain level. The key to a great looking people shot is being able to make all the required aspects look good. You cannot have a weak link.

There are some faces which are not so perfect, especially in the case of sport stars. You have to remember that they are what they are because of what they have done on the sports field and not anywhere else. You have to try and make them look as good as possible and many other cricketers. The best thing is, people are not expecting to look like peacocks and that does give us enough leeway!

Here are some tips from Hary for a good photography:

§       Be edgy! Experiment! If you are going to do what has been done in advertising for beauty and glamour, why bother?

§       Lot of people start doing photography long before they start to make a living out of it. They just enjoy doing photography. That is the key. Even when you star to make a living, try and do it for the joy of photography. You’ll do better!

§       Research is the key. Look around yourself. I do a lot of min ‘n match. Something from here, something from there… an angle, a look… look at magazines and books. I invest a lot in books and it helps.

§       Try to change the magnification of the model. If you are doing a story, put in a shot of hands suddenly between faces… it adds drama. It gives the feel. It’s all about the feel.

§       Don’t treat photography as a money making machine. It is not one.

§       When you are shooting a celebrity, you have to remember that he/she is a big guy! You have to become a brand yourself. Take no liberties and give none.

§       You have to be a good conversationalist. Listen well and talk… it will ease your subject.

§       If you have assistants working, make them also at ease. It is imperative that everyone is comfortable in the surrounding they are in.

Monday, August 4, 2008

As a Photographer

Of late, I have been spending a lot of time on photography sites looking at some wonderful stuff and looking for tips ands tricks in the process. One thing I never could do with a camera is point it at someone’s face and capture a momnt or an emotion, or even just that face… (portrait, in fact, any people photograpahy is my “photo objective” for the year). My greatest admiration is for photographers who present a face as more than just that - a human being with feelings, perhaps many of them evident in the frame. Then, why why cannot I do it? This candid confession on myflickr profile says it all - I am desperate to try my hand at portraits - I get cold feet (hands?!) when I have to take people pictures. I get all awkward and my imagination shuts tight.

Every time I focus my camera on to a person, whether posed or spontaneous, I get a deep sense of intruding. As I said, a good photographer glimpses into the person way beyond the face and provides a larger, if not complete picture to the viewer.

But wait a minute. That is exactly what I do for a living. I peek into people’s lives, observe, sometimes question and understand the unsaid. And that moment of penny-dropping was the starting point of this post - which has stayed as a draft for too long now. So here goes, disjointed thoughts on what makes a good qualitative researcher - basis my more recent learning experiments in photography.

Wednesday, October 17, 2007

Monday, January 15, 2007

lonely Sweet Home


This picture i took one my way to pallakad..near Valayar check post. we stopped our bike to take rest before entering to Tamil nadu. i searched for a possible landscape there.. alas.. nd i found it

specification:
F- 16/125
nokkor

Black cat


Every picture has a story behind it.. Even this picture too has.. I took this photograph on e my way to Mysore.. when we stopped our bike to drink some water..first i was shocked to see the cat next moment i thought abt the beauty nd took the snap

NIKON D80
F:5.6/250
lens: Nikkor 70-300